경량 러닝화

판정 보류 영상에 얼굴이 잡히지 않아 대조할 수 없습니다 — 참조에는 F4 가 실렸습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — handheld, natural micro-shake, spontaneous reframing, real skin and fabric weight. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean adult with a neat, clean, professional appearance and an athletic build suited for running; short dark hair, calm and composed expression. 100% match.
@Image2 — the product: 다크블루 바디에 화이트 미드솔, 프로필 뷰 기준 심플한 러닝화, 브랜드 표기 없음. 100% match; every word, logo and label exactly as the reference.
@Image3 — the person's face close-up, for face consistency only.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 carries appearance only — face consistency. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 28 cm long and 10 cm wide, a men's low-profile running shoe — roughly one and a half times the length of an adult palm. It must never look larger than her forearm.

LOCATION:
a sunlit park running trail lined with trees, packed dirt-and-gravel path curving ahead under open sky.

FIRST FRAME:
0.0s — front-camera selfie framing, the person already holding the running shoe by its heel with one hand, sole facing outward, looking into the lens mid-thought as if starting a message to a friend.

ACTION TIMING:
0–2.5s — Selfie framing, the person holds the product up to the lens with both hands, pulling the shoe onto her foot with both hands, seating her heel down and pressing the tongue flat before letting go
2.5–4s — Her hand sweeps across the lens; when it clears she is already wearing the product, cut hidden inside the sweep.
4–6.5s — She stands back into a wider frame, steps once toward camera, then shifts her weight onto one foot, revealing pushing off the ground with the shoe's forefoot as she breaks into a run along the trail
6.5–9s — The camera drops to her feet as she turns them side to side, weight shifting, proving the fit in a sunlit park running trail lined with trees, packed dirt-and-gravel path curving ahead under open sky..
9–11s — Tight close-up on her stride stays light and even through the run, no wincing or favoring one foot, ending in a relaxed, unhurried jog, held steady before pulling back.
11–15s — She steps back up into a centred standing pose, one foot slightly forward, the product held in frame as her hero pose. She lands the closing line into the lens. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–2.5s — "와, 이거 신고 뛰니까 완전 다르네요."
2.5–6.5s — "십 킬로미터 뛰었는데 발이 하나도 안 아파요, 진짜."
6.5–9s — "발끝이 그냥 공기 위에 떠 있는 느낌이에요."
9–15s — "이 정도면 다들 한번 신어보세요."

PERFORMANCE:
LINE_1 — she wants to share genuine surprise at the difference; eyes widen slightly, a quick exhale of a laugh as she glances down at her stride.
LINE_2 — she wants to convince the listener with her own proof; steady, slightly breathless from running, a small nod for emphasis on "진짜."
LINE_3 — she wants to hand over the sensation itself; she lifts her gaze briefly as if picturing it, voice softening, unhurried.
LINE_4 — she wants to leave the listener with a nudge to try it; a small warm smile, open palm gesture toward the shoe.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Dark blue synthetic knit upper with a white foam midsole, lightweight low-profile running shoe construction.
- The midsole compresses slightly and springs back with each footfall, flexing at the forefoot as the foot rolls forward.
- Laces sit flat against the tongue and stay tied; the outsole flexes and grips without slapping loudly on the path.
- NEVER: the midsole never flattens permanently or stays compressed after a step.
- Scale is fixed: about 28 cm long and 10 cm wide, a men's low-profile running shoe — roughly one and a half times the length of an adult palm. It must never look larger than her forearm.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Just room tone from the open trail — birdsong, a light breeze through leaves, distant footsteps of other park-goers, her own steady footfalls on packed dirt, fabric rustle as she pulls the shoe on, and her spoken lines carrying clearly over all of it.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed as a duplicate, or multiplied — the worn pair on camera is the same single unit shown in hand at 0s.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout the hand-held intro and the closing hero pose; eyes drop to the product only during the rotation, the wear reveal and the foot-turn close-up.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
none