우드 디퓨저

모델 일치 지정한 F3 가 그대로 나왔습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — handheld selfie framing, natural micro-shake, spontaneous reframing, real skin and fabric weight. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her mid-20s to early 30s, long black wavy hair, calm and composed demeanor, natural everyday look. 100% match.
@Image2 — the product: 부드러운 베이지색 둥근 용기에 여러 개의 나무 리드 스틱이 꽂혀있는 미니멀한 디퓨저, 라벨 없음. 100% match; every word, logo and label exactly as the reference.
@Image3 — the person's face close-up: same person as @Image1, used to keep the face steady during the closing close-up.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 carries appearance only (face detail). No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 15 cm tall and 8 cm across, roughly one and a half times the length of an adult palm including the reed sticks rising from it. It must never look larger than her forearm.

LOCATION:
On a low wooden nightstand beside a cozy bed with rumpled bedding and soft window light in a private bedroom.

FIRST FRAME:
0.0s — front-camera selfie framing, the person already cradling it gently in both palms at chest height, looking straight into the lens mid-thought as if about to recommend something to a friend.

ACTION TIMING:
0–3s — Selfie framing, product already in hand or on her. She opens straight into the recommendation, no preamble, no greeting.
3–6s — Without cutting away, she uses it on herself right there in the same frame: using one hand to lightly pull one wooden reed stick partway up out of the beige container and setting it back down at a slightly different angle, the stick never leaving the container She keeps talking through the motion.
6–10s — Camera moves in close on the part that changed. tilting the round container slightly so the cluster of wooden reed sticks catches the window light, the exposed tips of the sticks facing up toward her face as she breathes in near them The lens holds on the detail rather than cutting away.
10–13s — Back to selfie framing. She holds the product up beside the result so both sit in one shot. she leans her face closer to the reed sticks and visibly inhales, her expression softening as the faint scent reaches her, a small close-lipped smile forming She nods once at the lens and lands the closing line. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here. Shot as: A slow push in that settles into a tight close-up on her face as she breathes in near the diffuser, ending the clip framed on her calm, satisfied expression.

DIALOGUE:
0–3s — "방 문을 열었는데 향이 딱 남아있는 거예요."
3–6s — "은은하게, 근데 계속."
6–10s — "이거 리드 스틱이 몇 개 꽂혀있는 게 다인데."
10–13s — "향이 방을 은근히 채워주네요."

PERFORMANCE:
LINE_1 — she wants to share a small surprise she just noticed walking in; eyebrows lift slightly, a quick glance toward the room before turning back
LINE_2 — she wants to correct a wrong impression before it forms; a small pause, shaking her head lightly with a soft exhale
LINE_3 — she wants to point out something unexpectedly simple; she tilts the diffuser slightly, a light shrug in her shoulders
LINE_4 — she wants to leave the listener with a settled, satisfied verdict; a calm nod, faint content smile, breathing easy
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- The beige container holds diffuser oil that stays fully sealed inside; the wooden reed sticks are dry and rigid, only the submerged ends ever look faintly darkened.
- The sticks flex minutely if pressed but do not bend or bow when lifted and set back down.
- No liquid ever drips, pools, or becomes visible outside the container.
- NEVER: the diffuser must never spray, mist, or emit any visible vapor or steam — it release scent only invisibly, never as a visible cloud.
- Scale is fixed: about 15 cm tall and 8 cm across, roughly one and a half times the length of an adult palm including the reed sticks rising from it. It must never look larger than her forearm.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of a quiet bedroom, the soft rustle of bedding as she shifts, a faint wooden tap as the reed stick is set back into the container, and her own quiet breath as she inhales near the diffuser, with her spoken lines the loudest thing throughout.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment shows came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product or the changed detail only during the use moment and the close-up.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
A slow push in that settles into a tight close-up on her face as she breathes in near the diffuser, ending the clip framed on her calm, satisfied expression. This applies to the ending of the clip and supersedes the register above for those seconds; the register above resumes elsewhere.

PROPS:
a folded throw blanket at the edge of the nightstand