수제 강아지 간식

모델 불일치 F1 을 지정했지만 참조에 페르소나가 실리지 않아 다른 인물이 나왔습니다

요청한 페르소나 사진이 영상 생성 호출에 실리지 않았습니다 — 에이전트가 인물 이미지를 새로 만들어 대신 넣었거나, 인물 참조 없이 보냈습니다.

STYLE:
Vertical 9:16, photoreal phone footage — handheld, natural micro-shake, spontaneous reframing, real skin and fabric weight. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the product: 갈색 크래프트 재질의 스탠딩 지퍼락 파우치, 중앙에 투명 창으로 내용물이 보임, 텍스트 없음, 심플하고 깨끗한 디자인. 100% match; every word, logo and label exactly as the reference.
The person: a medium-sized golden retriever dog, bright golden-cream fur, cheerful and energetic expression, no human present. No reference image for the dog — generate strictly from this description, keeping it consistent across the clip.

Scope — the product reference carries appearance ONLY — no pose, no motion, no performance. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 15 cm tall and 10 cm wide, a standing zip-lock pouch holding roughly 100g of treats — about the width of an adult palm, sitting easily in one hand. It must never look larger than an open hand.

LOCATION:
A compact Korean one-room studio floor near the small bed and folding table, where the dog waits at eye level on the floor.

FIRST FRAME:
0.0s — front-camera selfie framing, very close, the person already held upright by its top edge, the clear center window facing outward, mid-reaction as if catching herself in the middle of a confession.

ACTION TIMING:
0–3s — Tight selfie framing, face very close to the lens, already mid-reaction, opening with a warning-toned confession that this is hard to stop.
3–6s — She uses the product right there on camera — holding the pouch steady in one hand and peeling the zip-lock seal open with the other, the opened top edge staying pinched between the fingers — and her eyebrows go up in surprise and satisfaction.
6–9s — Before she has even finished reacting, her hand goes back for more. reaching two fingers into the open pouch top and drawing out a single treat, then lowering it toward the dog's mouth at floor level She laughs at herself for it.
9–12s — She holds the product up front-facing and brings it toward the lens until it fills the frame, turning it once so the front face reads. the dog's ears perk and its front paws shuffle rapidly on the floor the instant the pouch is opened, then it snaps forward to take the treat and its tail whips side to side
12–15s — Back to a centred hero hold, product in one hand, her other hand still reaching for it. She lands a playful warning-toned closing line into the lens. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "이거 뜯는 소리 나니까 얘 눈빛부터 달라져요."
3–6s — "봐요, 앉지도 못하고 발을 이렇게 동동 굴러요."
6–9s — "한 조각 주자마자 완전 미쳐서 꼬리가 안 멈춰요."
9–12s — "저 눈빛 보이세요? 더 달라고 애원하는 거예요."
12–15s — "우리 개가 이렇게 좋아하는 간식은 진짜 처음이에요."

PERFORMANCE:
LINE_1 — wants the listener to notice the dog's instant alertness; delivered with a quick glance down at the dog, eyebrows lifting in mild disbelief.
LINE_2 — wants to show off the dog's uncontrollable excitement; points down at the dog's feet with a small laugh in the voice.
LINE_3 — wants to share the peak reaction as proof; leans back slightly to give the dog room, voice rising with genuine amusement.
LINE_4 — wants the listener to really look at the dog's face; pauses briefly, tilts head toward the dog, voice softening.
LINE_5 — wants to leave the listener with a simple, warm verdict; small satisfied nod, voice settling calmer than the rest.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Craft-brown standing zip-lock pouch, matte kraft paper texture, holds a light rustle when squeezed or opened.
- Clear center window shows loose, irregular chunks of jerky-style treats shifting slightly when the pouch tilts.
- Zipper seal gives light resistance then a soft click-pull when opened, pouch staying upright and semi-rigid in hand.
- NEVER: the pouch must never look glossy, rigid like plastic packaging, or spill its contents out freely — nothing pours or crumbles into a mess.
- Scale is fixed: about 15 cm tall and 10 cm wide, a standing zip-lock pouch holding roughly 100g of treats — about the width of an adult palm, sitting easily in one hand. It must never look larger than an open hand.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of the small studio, the soft rustle of the kraft paper pouch and the zipper seal peeling open, the dog's claws scrabbling and pawing against the floor, quick panting and a tail thumping the floor, the spoken lines sitting clearly on top as the loudest sound.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as the product reference image. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the use moment and the close-up read.
⑤ Continuity of parts and hands: if anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
none