캠핑 LED 랜턴

모델 일치 지정한 M2 가 그대로 나왔습니다 — 산 능선 추적 컷

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean man in his mid-20s to early 30s, casual hiking outfit, athletic and approachable look, calm and friendly demeanor. 100% match.
@Image2 — the product: 올리브그린 바디에 투명 유리 부분이 있고, 켜면 은은한 warm glow가 나는 랜턴. 로고나 텍스트 없음.. 100% match; every word, logo and label exactly as the reference.
@Image3 — the person's face close-up, appearance only.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 carries appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 15 cm tall and 8 cm across — roughly the length of an adult palm plus a bit, sitting comfortably in one hand. It must never look larger than his forearm.

LOCATION:
a narrow dirt mountain trail winding between rocks and low trees, with a ridgeline and open sky visible as dusk settles in.

FIRST FRAME:
0.0s — eye-level medium framing, the person centred at medium distance, already cradling it loosely against his chest with one hand, lantern unlit, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. He opens straight into what he wants to say — no preamble, no greeting.
3–8s — He raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: holding the lantern steady in one hand and turning the brightness dial on its top with the thumb of the same hand, the dial clicking through steps as the glow rises
8–11s — The camera pushes in on the product as the warm glow spills out through the clear glass section as he holds the lantern up at chest height, lighting the darkening trail just ahead of his feet so the result is unmistakable — it stays on it rather than cutting away.
11–15s — He lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. the glow visibly brightens and softens in real time as he turns the dial, and the light stays steady and warm across several steps of the climb with no dimming or flicker. He lands the closing line as he does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "헐, 산길인데 벌써 어두워지네요"
3–8s — "근데 이 랜턴 켜니까 밝기가 딱 원하는 만큼 조절되더라고요"
8–11s — "신기한 게 아침부터 켜놨는데 배터리가 하나도 안 줄었어요"
11–15s — "야간 산행엔 이거 하나면 충분하네요"

PERFORMANCE:
LINE_1 — genuine surprise at the dimming trail light, played with a quick glance up at the sky and a short exhale, half-laughing at himself
LINE_2 — pleasant discovery he wants to show off, played by turning the lantern slightly toward the lens and nodding as the glow settles
LINE_3 — delighted disbelief, played with raised eyebrows and a small shake of the head while glancing at the lantern like he's double-checking it
LINE_4 — a settled, confident verdict handed to the listener, played with a relaxed shrug and a satisfied half-smile
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Olive-green body with a clear glass section housing the LED core, warm-glow light visible through the glass.
- Lightweight plastic-and-glass build; sits solidly on rock or ground without wobbling, a single dial or button clicks under the thumb to step the brightness up and down.
- The warm glow changes smoothly in intensity but never flickers or changes color.
- NEVER: the lantern must never emit a cold blue-white light or strobe/flicker — the glow stays warm and steady at every brightness level.
- Scale is fixed: about 15 cm tall and 8 cm across — roughly the length of an adult palm plus a bit, sitting comfortably in one hand. It must never look larger than his forearm. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Footsteps crunching on dirt and gravel, a soft breeze moving through leaves, distant birdsong fading as dusk settles, the faint click of the brightness dial turning, and his voice carrying clearly over the trail ambience.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: if anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
A gimbal-steady camera tracks him from slightly behind and to the side as he climbs the trail, framing the mountain path and surrounding ridgeline before settling into close following shot for the rest of the clip. This applies to the whole clip and supersedes the register above wherever the two disagree.

PROPS:
none