천연 비누

모델 일치 지정한 F4 와 같은 인물로 보입니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her mid-20s to early 30s, sleek short bob haircut, calm and composed natural expression, fresh clean look suited for a morning skincare routine. 100% match.
@Image2 — the product: 베이지색 비누, 빨강/주황 꽃잎 장식이 박혀 있음, 나무 받침대 위에 놓임. 100% match; every word, logo and label exactly as the reference.
@Image3 — the person's face close-up. 100% match.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 carries appearance only (face). No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 8 cm long, 5 cm wide and 3 cm thick, roughly the size of an adult palm — about two-thirds the length of an open hand, resting on a small wooden dish. It must never look larger than her open hand.

LOCATION:
At the bathroom sink counter in front of the mirror, under the vanity's ring light, with the tile backsplash visible behind the running tap.

FIRST FRAME:
0.0s — eye-level medium framing, the person centred at medium distance, already cradling the soap bar flat in one palm just above the running water, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting.
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: no cap or seal to operate — she simply lowers the bar into the stream of water with both hands cupped loosely around it, the bar staying held between her fingers
8–11s — The camera pushes in on the product as working the wet bar between both palms so its surface meets her skin directly, rubbing it against her cheeks and jawline to raise lather so the result is unmistakable — it stays on it rather than cutting away.
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. the lather visibly turns soft and loose as it spreads across her wet skin underwater, thinning into fine bubbles that drift off her fingers She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "이거 하나에 얼마인지 알아요?"
3–8s — "네 개에 이만 원인데, 거품이 진짜 부드러워요."
8–11s — "세안하고 나서도 당기는 느낌이 하나도 없어요."
11–15s — "이 가격에 이 정도면, 진짜 남는 장사예요."

PERFORMANCE:
LINE_1 — wants to bait curiosity with a price tease before revealing it, delivered with a small knowing smirk and a slight tilt of the head.
LINE_2 — wants to land the value surprise plainly, said while looking down at the lather forming, eyebrows lifting slightly on "부드러워요".
LINE_3 — wants to share a genuine physical relief, touching her own cheek lightly with damp fingers, voice softening.
LINE_4 — wants to close with a confident, satisfied verdict, a small nod and the faintest laugh under the breath.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Solid beige soap bar embedded with red and orange dried petals, sitting on a wooden soap dish.
- Firm and slightly matte when dry; turns slick and glossy on the surface once wet, softening at the edges under water.
- Produces a soft, low-density lather that spreads and thins out in water rather than holding a stiff foam shape.
- NEVER: the bar never dissolves away, crumbles apart, or changes size visibly during the clip.
- Scale is fixed: about 8 cm long, 5 cm wide and 3 cm thick, roughly the size of an adult palm — about two-thirds the length of an open hand, resting on a small wooden dish. It must never look larger than her open hand.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of the bathroom, the tap running steadily, small splashes as her hands move through the water, the faint squeak of wet skin under lather, and her spoken lines carrying clearly over it all.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
none