우드 머스크 향수

인물 없음 F3 사진을 참조로 보냈는데도 영상에 사람이 나오지 않고 제품 단독샷만 만들어졌습니다 — 참조는 전달됐으나 모델이 인물을 그리지 않은 경우

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal macro-to-hero product footage — clean controlled camera, soft push-ins and orbits, no handheld shake, no on-screen text, no graphics of any kind. No people and no hands on camera; the spoken lines are an off-screen voice-over and the speaker is never seen.

Material-level realism — the product's own surface reads at macro distance: grain, weave, brushed metal tooling marks, glass thickness, print that sits in the surface rather than floating on it.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Dust, fingerprints and small imperfections are allowed and welcome; nothing is showroom-perfect.
This is a real object filmed on real glass, not a rendered product visualisation.

REFERENCES:
@Image1 — the person: a calm, composed adult with a natural, relaxed demeanor. Not shown on camera; present only as the brand's implied audience, no on-screen appearance.
@Image2 — the product: 투명 유리병, 골드빛 액체, 실버 메탈 캡, 라벨 없음, 미니멀 다크 배경. 100% match; every word, logo and label exactly as the reference.

Scope — this is an unmanned format: @Image1 (the person) is NOT used and that person never appears on camera; ignore it entirely for appearance, pose and performance. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 9 cm tall and 4 cm across, roughly 50 ml — about one and a half times the length of an adult thumb, sitting neatly on the vanity. It must never look larger than an open hand.

LOCATION:
A clean bathroom vanity counter beside the sink, with a wall mirror, tile backsplash, and a soft ring-style vanity light glowing above.

FIRST FRAME:
0.0s — extreme macro on the product's logo, so close the surface texture reads, before any wider shape is visible.

ACTION TIMING:
0–2s — Extreme macro on the logo and surface, texture and material reading clearly, building an immediate tactile impression.
2–4s — Cut to the product centred and front-facing in clean light, the whole silhouette read instantly in a still packshot.
4–7s — Cut to the product styled with none arranged around it, connecting its mood and material to the frame.
7–10s — the brushed silver cap lifting straight off the neck on its own and settling upright beside the bottle on the tile in extreme close-up, slow and deliberate, the one moving part of the product caught mid-motion.
10–12s — the nozzle releasing a fine mist forward into the air above the counter, the gold-toned droplets catching the vanity light before dispersing as the surrounding material lifts and drifts around the product, the camera pulling back to hold it centred.
12–15s — Settle into a centred, still hero frame in A clean bathroom vanity counter beside the sink, with a wall mirror, tile backsplash, and a soft ring-style vanity light glowing above., branding fully readable. the mist hangs faintly visible in the ring light for a second before thinning into the air, leaving the glass bottle dry and unmarked sits beside it as the closing line plays. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–2s — "이 향, 뿌리자마자 느껴지시나요?"
2–4s — "은은한데 계속 남아있어요."
4–7s — "하루 종일 스치듯 다시 느껴지더라고요."
7–15s — "향수는 이제 이거 하나면 충분할 것 같아요."

PERFORMANCE:
Nobody performs in this clip and no gaze exists — do not add a face, a hand or a body to carry the emotion. The life comes from motion instead: the camera keeps breathing slightly rather than locking dead still, and the product's own moving part carries the beat.

PHYSICS:
- Clear glass bottle holds a gold-toned liquid that catches light and shows a faint surface ripple when the bottle is set down.
- The silver metal cap is solid and cool, sitting flush on the neck with a slight metallic click when it seats or lifts.
- A fine mist releases only in short bursts from the nozzle and dissipates into the air within a second or two, leaving no visible residue on any surface.
- NEVER: the liquid never drips, pools, or leaves a wet mark on the stone slab or mirror.
- Scale is fixed: about 9 cm tall and 4 cm across, roughly 50 ml — about one and a half times the length of an adult thumb, sitting neatly on the vanity. It must never look larger than an open hand.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of a quiet bathroom, the soft metallic click of the cap lifting and resettling on the tile, a light hiss-puff of the spray nozzle releasing mist, faint ambient hum of the vanity light, and the spoken lines sitting clearly on top as the loudest sound.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed by a person, or duplicated — the one moving part is the product's own closure, and anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no person or hand ever enters the frame.
④ Never to-lens: there is no lens gaze because no face appears; the camera studies the product exclusively throughout.
⑤ Continuity of parts and hands: if anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
none