무선 스틱청소기

모델 일치 지정한 M1 이 그대로 나왔습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — handheld, natural micro-shake, spontaneous reframing, real skin and fabric weight. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: A Korean man in his mid-to-late 20s, short dark hair, casual at-home appearance, calm and natural demeanor.. 100% match.
@Image2 — the product: 화이트+실버 톤의 미니멀한 스틱형 무선청소기, 투명 먼지통, 로고/텍스트 없음. 100% match; every word, logo and label exactly as the reference.
@Image3 — the person's face close-up: same person as @Image1, face reference only.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 carries appearance only (face). No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 110 cm long with a slim stick body roughly 6 cm across and a floor head about 22 cm wide, with a small clear dust bin around 0.5 liters — the dust bin measures about one and a half times the length of an adult palm, and the whole handle spans roughly the length of an open hand plus a bit more. It must never look larger than his torso.

LOCATION:
a tidy home kitchen with a daylight-lit tile or wood floor beside the counter, a mug and a piece of fruit sitting on the counter nearby, morning light coming through a window.

FIRST FRAME:
0.0s — front-camera selfie framing, arm's length, the person already gripping the upright handle with one hand, the head resting flat against the kitchen floor, mid-complaint before the shot even settles.

ACTION TIMING:
0–3s — Selfie framing, arm's length. He's mid-complaint about the small annoyance, sighing, a little frazzled, no greeting, straight into it.
3–5s — He reaches off-frame and brings the product up into the shot with one hand, turning it once so the front face reads clearly, introducing it as the fix.
5–8s — Camera holds tight on the product as he performs its one control: pressing the single power trigger on the handle with his thumb, the switch clicking on and staying held down through the pass, no separate part removed and tilting the head forward so its front suction inlet glides low across the floor along a scatter of stray hairs near the counter. It works on the first try, camera staying on it rather than cutting away.
8–12s — Back to selfie framing. His shoulders drop, he laughs at how simple it was. The visible scatter of hair on the floor disappears in one smooth forward pass of the head, and the clear dust bin shows the hair now swirling and gathered inside it. He holds the product up beside his face, still slightly out of breath.
12–15s — Bright, quick recommendation lands straight into the lens, product still in frame beside his face.

DIALOGUE:
0–3s — "아침에 머리카락 때문에 바닥이 늘 엉망이었거든요."
3–5s — "이거 한번 밀어봤는데, 어?"
5–8s — "머리카락이 진짜 한 번에 훅 빨려 들어가요."
8–12s — "먼지통 보면 순식간에 이렇게 다 모여 있어요."
12–15s — "자취생한테 이건 거의 필수템이에요."

PERFORMANCE:
LINE_1 — wants to set up the daily annoyance so the listener nods along; slight exasperated exhale, eyebrows up as he glances down at the floor.
LINE_2 — wants to show real-time surprise, not performed; a genuine short pause and blink before the reaction, head tilting slightly toward the floor.
LINE_3 — wants to hand the discovery straight to the viewer; leans down slightly, points the head toward the camera lens area, voice brightening.
LINE_4 — wants to prove it, not just claim it; holds the dust bin up a little toward the lens, eyebrows raised, a small satisfied nod.
LINE_5 — wants to leave the viewer with a verdict, not a promise; light, warm half-smile, a small confident nod to close.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Body is matte white-and-silver plastic and aluminum, lightweight stick shape with a clear cylindrical dust bin.
- The dust bin is rigid transparent plastic — hair and dust swirl and settle inside it, visible through the wall, never liquid.
- The head glides flat against the floor with a low steady motor hum, its brush roller spinning to draw hair up through the inlet.
- NEVER: no liquid, spray, or foam ever comes out of the dust bin or head — only dry hair and dust are pulled in.
- Scale is fixed: about 110 cm long with a slim stick body roughly 6 cm across and a floor head about 22 cm wide, with a small clear dust bin around 0.5 liters — the dust bin measures about one and a half times the length of an adult palm, and the whole handle spans roughly the length of an open hand plus a bit more. It must never look larger than his torso. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of a quiet morning kitchen, the steady low hum of the vacuum motor rising when the trigger is pressed, the soft scuff of the head passing over the floor, faint clink of a mug or the tick of a clock in the background, and the spoken lines carried clearly on top.

LOCKS:
① Exactly one product: one unit only, brought into frame once from off-frame at 3–5s. It is never handed over, unboxed, revealed as packaging or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and named props are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout the complaint and the recommendation; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: the product has no separable part, so this clause does not apply and nothing is expected to be set down.

PROPS:
a mug and a piece of fruit on the kitchen counter